To fix this, you can apply a look-up table, or LUT, to make the flat and desaturated log footage look more like the standard picture profiles we’re used to seeing. The flat look of V-Log makes it difficult to properly expose your image. There are some challenges to shooting in log profiles, however. If you were to shoot in a typical picture profile, then shoot the same thing in V-Log, you would see the added dynamics and color control that log gives you once the footage was properly color graded. A logarithmic function curve is used when processing the sensor data to preserve more dynamic range and tonality from the image sensor. Why bother shooting in a log picture profile like V-Log? Although it looks muted with less color saturation and flattened dynamics, log profiles actually allow for more dynamic range, giving you more detail in the shadows and highlights. That’s why, in this article, we want to demystify the process of shooting and editing in log, with a particular focus on working with Panasonic’s log picture profile, V-Log. This causes many to forgo the benefits and avoid log shooting entirely. The problem, however, is that log footage can be difficult to shoot and grade. One of the most useful innovations in camera technology is the capability to shoot with a logarithmic picture profile, also known as log. The next time you’re shooting, try out a log picture profile and experience what it can do for your image.
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